{"id":51105,"date":"2016-11-28T05:54:46","date_gmt":"2016-11-28T05:54:46","guid":{"rendered":"http:\/\/146.66.97.162\/~britalli\/danteanzolini.com\/?p=51105"},"modified":"2016-11-28T05:54:46","modified_gmt":"2016-11-28T05:54:46","slug":"new-york-times-review-end-of-the-season-2007-2008-2","status":"publish","type":"post","link":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/new-york-times-review-end-of-the-season-2007-2008-2\/","title":{"rendered":"New York Times review end of the season 2007-2008"},"content":{"rendered":"<p><strong>New Era Brings Buzz (and Big Budgets) to the MET (Title)<\/strong><\/p>\n<p>\u201c\u2026Finally, there was the company\u2019s premiere production of &lt;a href=\u00bbhttp:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/g\/philip_glass\/index.html?inline=nyt-per\u00bb&gt;Philip Glass&lt;\/a&gt;&#8217;s landmark 1980 work, \u201cSatyagraha.\u201d For me, even during the prime creative period that fostered this work, Mr. Glass too often shifted into a default mode of ritualistic repetitions. Still, with Phelim McDermott\u2019s totemic production, the sensitive conducting of Dante Anzolini, an admirable cast and the Met\u2019s stalwart chorus, the opera emerged as a humane, often profound exploration of Gandhi\u2019s courageous and savvy politics of nonviolence. The tenor Richard Croft brought aching poignancy to the role of Gandhi. And in the final performance, the tenor Alan Oke, in his Met debut, was a comparably moving and distinguished Gandhi.<\/p>\n<p>Bringing this timely work to New York audiences was a smart move on Mr. Gelb\u2019s part. Now it\u2019s on to next season, full of his big, and expensive, plans.\u201d<\/p>\n<p><strong>New York Times, Anthony Tommasini, May 21, 2008<\/strong><\/p>\n<p><a href=\"http:\/\/www.nytimes.com\/2008\/05\/21\/arts\/music\/21met.html?ex=13691\">Full Review<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New Era Brings Buzz (and Big Budgets) to the MET (Title) \u201c\u2026Finally, there was the company\u2019s premiere production of &lt;a href=\u00bbhttp:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/g\/philip_glass\/index.html?inline=nyt-per\u00bb&gt;Philip Glass&lt;\/a&gt;&#8217;s landmark 1980 work, \u201cSatyagraha.\u201d For me, even during the prime creative period that fostered this work, Mr. Glass &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-51105","post","type-post","status-publish","format-standard","hentry","category-news-reviews"],"_links":{"self":[{"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/posts\/51105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/comments?post=51105"}],"version-history":[{"count":0,"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/posts\/51105\/revisions"}],"wp:attachment":[{"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/media?parent=51105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/categories?post=51105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laneurona.ec\/clientes\/DanteAnzolini\/wp-json\/wp\/v2\/tags?post=51105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}